Heritage

Since 1917.

Four generations of one family, one standard of care, and a studio that has never taken a shortcut it could not reverse.

An early rug conservation studio with a washing table lit by one window

The hand does the work.

What began in 1917 as one room in Long Island, NY has become a conservatorship trusted with pieces that predate the country they now live in. The equipment has changed. The sequence has not: look first, record everything, and leave the rug in better hands than you found it.

"A rug is never finished. It is only better kept."

Four generations.

The record

  1. 1917

    One washing table

    The business opens with a single bench, a rinse floor, and a promise to treat every rug as though it would be displayed.

  2. 1950s

    The second hand

    The next generation takes over the reweaving bench, and the studio begins taking institutional work.

  3. 1980s

    Documentation as practice

    Written condition records and photography become standard on every piece, artifact or everyday.

  4. Today

    The fourth generation

    Collectors, estates, and institutions send pieces to the same table — and the neighbourhood still sends its hallway rugs.

Inquiry

Begin with a conversation.

Tell us about the piece — its origin, size, and condition. We advise on care and quote the work in writing.